Classical drama performed
Academic drama was formed as an educational tool, not only to advance the arts, but to teach classical literature and language. Key subject matter for performance were classical dramas of ancient Greece and Rome. Prominent playwrights whose works were performed as part of the academic drama tradition include Aristophanes, Plautus, Seneca the Younger, and Terence.
Play | Playwright | Date Performed | Location of Performance | Language |
---|---|---|---|---|
Plutus | Aristophanes | 1536 | St. John’s, Cambridge | Greek |
Pax | Aristophanes | 1546 | Trinity, Cambridge | Greek |
Poenulus | Plautus | 1549 | Queens’, Cambridge | Latin |
Troades | Seneca the younger | 1551–2 | Trinity, Cambridge | Latin |
Menaechmi | Plautus | 1551–2 | Trinity, Cambridge | Latin |
Stichus | Plautus | 1544 | Queens’, Cambridge | Latin |
a commedie | Plautus | 1557 | Trinity, Cambridge | Latin |
Oedipus | Seneca the younger | 1559–60 | Trinity, Cambridge | Latin |
Mostellaria | Plautus | 1559–60 | Trinity, Cambridge | Latin |
Hecuba | Seneca the younger | 1559–60 | Trinity, Cambridge | Latin |
Amphitruo | Plautus | 1560–1 | Trinity, Cambridge | Latin |
Troades | Seneca the younger | 1560–1 | Trinity, Cambridge | Latin |
Medea | Seneca the younger | 1560–1 | Trinity, Cambridge | Latin |
Adelphi | Terence | 1562–3 | Jesus, Cambridge | Latin |
Curculio | Plautus | 1562–3 | Jesus, Cambridge | Latin |
Pseudolus | Plautus | 1562–3 | Trinity, Cambridge | Latin |
Adelphi | Terence | 1562–3 | Trinity, Cambridge | Latin |
Phormio | Terence | 1562–3 | Trinity, Cambridge | Latin |
Medea | Seneca the younger | 1563 | Queens’, Cambridge | Latin |
Eunuchus | Terence | 1563–4 | Jesus, Cambridge | Latin |
Trinummus | Plautus | 1563–4 | Trinity, Cambridge | Latin |
Bacchides | Plautus | 1563–4 | Trinity, Cambridge | Latin |
Aulularia | Plautus | 1563–4 | King’s, Cambridge | Latin |
Stichus | Plautus | 1564–5 | Trinity, Cambridge | Latin |
Menaechmi | Plautus | 1565–6 | Trinity, Cambridge | Latin |
Eunuchus | Terence | 1566–7 | Merton, Oxford | Latin |
Menaechmi | Plautus | 1567–8 | Merton, Oxford | Latin |
Bacchides | Plautus | 1579 | Jesus, Cambridge | Latin |
Persa | Plautus | 1583 | St. John’s, Cambridge | Latin |
Hippolytus | Seneca the younger (with additional scenes by Gager) | 1591–2 | Christ Church, Oxford | Latin |
Neo-Latin/English drama performed
Neo-Latin or New Latin dramas as they may also be referred to, were plays written in Latin by students and professors at Oxford, Cambridge, and the Inns of Court. Subject matter ranged from religious, to satirical, to mythological.[20] Eventually these original plays began to be written in English, preparing the way for the English drama of the Elizabethan Age.[21]
Play | Playwright | Date Performed | Location of Performance | Language |
---|---|---|---|---|
Microcosmus | T. Artour | 1520–32 | St. John’s, Cambridge | Latin |
Mundas Plumbeus | T. Artour | 1520–32 | St. John’s, Cambridge | Latin |
Piscator siue Fraus Illusa | J. Hoker | 1535–43 | Magdalen, Oxford | Latin |
Thersites | Anon. | 1537 | Magdalen, Oxford | English |
Christus Rediuiuus | Nicholas Grimald | 1540 | Brasenose, Oxford | Latin |
Christus Nascens | Nicholas Grimald | 1540– | Merton or Christ Chrich, Oxford | Latin |
Protomartyr | Nicholas Grimald | 1540– | Merton or Christ Church, Oxford | Latin |
Fama | Nicholas Grimald | 1540– | Merton or Christ Church, Oxford | Latin |
Athanasius siue infamia | Nicholas Grimald | 1540– | Merton or Christ Church, Oxford | Latin |
Troilus | Nicholas Grimald | 1540– | Merton or Christ Church, Oxford | English |
De puerorum in musicis institutione | Nicholas Grimald | 1540– | Merton or Christ Church, Oxford | English |
Absalon | T. Watson | c. 1540 | St. John’s, Cambridge | Latin |
dialogus | R. Textor | 1543 | Queens’, Cambridge | Latin |
Pammachius | T. Kirchmayer | 1545 | Christ’s, Cambridge | Latin |
Archiproheta | Nicholas Grimald | 1546–7 | Christ Church, Oxford | Latin |
Heli | H. Ziegler | 1547–8 | Queens’, Cambridge | Latin |
Grammer Gurtons Nedle | undetermined | 1550–60 | Christ’s, Cambridge | English |
Strylius | Nicholas Robinson (bishop) | 1552–3 | Queens’, Cambridge | Latin |
A lernyd tragedy | Anon. | 1553–6 | New College, Oxford | Latin |
de crumena perdita | Anon. | 1554–5 | Trinity, Cambridge | Latin |
both the English plaies | Anon. | 1559–60 | Trinity, Cambridge | Latin |
Sapientia Solomonis | Sixt Birck | 1559–60 | Trinity, Cambridge | Latin |
Acolastus | Wilhelm Gnapheus | 1560–1 | Trinity, Cambridge | Latin |
John babtiste | George Buchanan | 1562–3 | Trinity, Cambridge | Latin |
Christus Triumphans | J. Foxe | 1562–3 | Trinity, Cambridge | Latin |
Dido | E. Haliwell | 1564 | King’s, Cambridge | Latin |
Ezechias | Nicholas Udall | 1564 | King’s, Cambridge | English |
A burlesque on the Romanist bishops | Anon. | 1564 | At Hinchinbrook, Cambridge | English |
Philanira | C. Roilletus | 1564–5 | Trinity, Cambridge | Latin |
Asotus | Macropedius | 1565–6 | Trinity, Cambridge | Latin |
Crumenaria | Anon. | 1565–6 | Trinity, Cambridge | Latin |
Marcus Geminus | Anon. | 1566 | Christ Church, Oxford | Latin |
Palamon and Arcyte Parts 1 and 2 | Richard Edwardes | 1566 | Christ Church, Oxford | Latin |
Progne | James Calfhill | 1566 | Christ Church, Oxford | Latin |
Iephthes | J. Christopherson | 1566–7 | Trinity, Cambridge | Latin |
Wylie Beguylie | Anon. | 1566–7 | Merton, Oxford | English |
Damon and Pythias (play) | Richard Edwardes | 1567–8 | Merton, Oxford | English |
The Destruction of Thebes | Anon. | 1569 | Christ Church, Oxford | Latin |
Hymenaeus | Abraham Fraunce or H. Hickman | c. 1578–9 | St. John’s, Cambridge | Latin |
Victoria | Abraham Fraunce | 1579–83 | St. John’s, Cambridge | Latin |
Richardus Tertius | Thomas Legge | 1579–80 | St. John’s, Cambridge | Latin |
The Destruction of Jerusalem | Thomas Legge | 1580–98 | Caius, Cambridge | Latin |
Pendantius | A. Wingfield | 1580–1 | Trinity, Cambridge | Latin |
Puer vapulans | Anon. | 1581–2 | Jesus, Cambridge | Latin |
Supposes | G. Gascoigne | 1581–2 | Trinity, Oxford | English |
Caesar Interfectus | R. Eedes | 1581–2 | Christ Church, Oxford | Latin |
Meleager | W. Gager | 1581–2 | Christ Church, Oxford | Latin |
Bellum Grammaticale | Leonard Hutten | c. 1582 | Christ Church, Oxford | Latin |
Comedy satirizing the Mayor of Cambridge | T. Mudde | 1582–3 | Pembroke, Oxford | English |
Riuales | W. Gager | 1583 | Christ Church, Oxford | Latin |
Dido | W. Gager | 1583 | Christ Church, Oxford | Latin |
Meleager | W. Gager | 1584–5 | Christ Church, Oxford | Latin |
Tarrarantantara turba trigonum Tri-Harueyorum | Anon. | 1585–6 | Clare Hall, Cambridge | Latin |
Duns furens | Anon. | 1585–6 | Peterhouse, Cambridge | Latin |
Terminus et non terminus | Thomas Nashe and other student | c. 1586 | St. John’s, Cambridge | Latin |
Octavia | pseudo-Senecan | 1588 | Christ Church, Oxford | Latin |
Vlysses Redux | W. Gager | 1591–2 | Christ Church, Oxford | Latin |
Bellum Grammaticale | Leonard Hutten | 1592 | Christ Church, Oxford | Latin |
Roxana | W. Alabaster | c. 1592 | Trinity, Cambridge | Latin |
Caesars Reuenge | Anon. | c. 1594 | Trinity, Oxford | Latin |
Laelia | Anon. | 1594–5 | Queens’, Cambridge | Latin |
Siluanus | Anon. | 1596–7 | St. John’s, Cambridge | Latin |
Hispanus | Anon. | 1596–7 | St. John’s, Cambridge | Latin |
Machiauellus | Anon. | 1597 | St. John’s, Cambridge | Latin |
The Pilgrimage to Parnassus Parnassus plays | Anon. | 1598 | St. John’s, Cambridge | English |
Leander | W. Hawkesworth | 1598–9 | Trinity, Cambridge | Latin |
Club Law | G. Ruggle | 1599–1600 | Clare Hall, Cambridge | English |
The Return from Parnassus Part I Parnassus plays | Anon. | 1601 | St. John’s, Cambridge | English |
The Return from Parnassus Part II Parnassus plays | Anon. | 1602 | St. John’s, Cambridge | English |
Narcissus | Anon. | 1602–3 | St. John’s, Oxford | English |
Leander | W. Hawkesworth | 1602–3 | Trinity, Cambridge | Latin |
Labyrinthus | W. Hawkesworth | 1602–3 | Trinity, Cambridge | Latin |
Nero | M. Gwynne | 1602–3 | St. John’s, Oxford | Latin |
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